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Sallust and the Value of Classical History

When sorting through works from the Classical world, we can place most of them into three broad categories of history, philosophy, and literature. The value of the latter two are plain enough; early philosophers raised questions of eternal relevance and laid the foundation for those who came later, and for the poets and dramatists, true beauty is timeless. What, though, of history? After all, history's primary purpose is to tell us "what happened," and we can usually get this more easily from modern historians, who can review not only the ancient historians' works, but data from other historical documents, archaeology, etc. Obviously, if you are a historian you'll need these early sources, but what about the lay reader?

There are, I think, three things that make ancient historians worth reading for an educated layman. First, they do cover the basic, surface-level "what happened" aspect of history. Their work is often criticised for inaccuracy, and sometimes with reason, but despite their shortcomings, biases, and lack of modern methodology, it's worth remembering that these were intelligent men and in some cases were well aware of their own difficulties. Herodotus, for example, emphasises several times that he can only relate to the audience what he has heard, and sometimes expresses doubt about the version of events he's been given. Plutarch says at the beginning of his biography of Theseus that, "after passing through those periods which probable reasoning can reach to and real history find a footing in, I might very well say of those that are farther off, Beyond this there is nothing but prodigies and fictions, the only inhabitants are the poets and inventors of fables." Similarly, Livy, in the preface to Ab Urbe Condita, refers to "The traditions which have come down to us of what happened before the building of the city [of Rome], or before its building was contemplated," which are "suitable rather to the fictions of poetry than to the genuine records of history." All three of these writers, then, could tell which of the events they describe were likely accurate and which were not.

Second, these historians were, in several cases, concerned with the didactic value of their work. This, of course, varied depending on the author in question, but in general pre-modern histories are more concerned with the lessons to be drawn from what they describe than are modern historians, and some, like Plutarch, will editorialise on their subjects. Many modern readers expect historians to be dispassionate, but this is a mistake. The reason history is worth recording at all is so that we can learn something from it. Besides, as Raphael Semmes wrote in his 1869 work, Memoirs of a Service Afloat During the War Between the States:

It has sometimes been said that a writer of history should be as phlegmatic and unimpassioned as the judge upon the bench. If the reader desires a dead history, in other words, a history devoid of the true spirit of history, the author assents to the remark. But if he desires a living, moving, breathing picture of events—a personam instead of a subjectam, the picture must not be undertaken by one who does not feel something of that which he writes. [...] When all the higher and holier passions of the human heart are aroused in a struggle—when the barbarian is at your door with the torch of the incendiary in one hand, and the uplifted sword of diabolical revenge in the other,—feeling is an important element in the real drama that is passing before the eyes of the beholder. To attempt to describe such a drama with the cold words of philosophy, is simply ridiculous. If the acts be not described in words suited to portray their infamy, you have a lie instead of history. Nor does it follow that feeling necessarily overrides judgment. All passions blind us if we give free rein to them; but when they are held in check, they sharpen, instead of obscuring the intellect.

Finally, ancient historians tell us what the ancients thought of themselves. Most readers, I'm sure, will be well aware of the power of narrative, and how history is framed. When we read Herodotus, Xenophon, and the rest, we can see how our ancestors saw themselves in relation to other peoples, what they thought the significance of the events of their own history was, and of course their interpretations for the causes and effects of those events.

All three of these aspects of ancient history tie together well in the work of Sallust, a historian of the late Roman Republic. He completed two fairly short works, Catiline's Conspiracy and The Jugurthine War, and left a third, simply titled Histories, unfinished at his death. Focusing on the first two, both provide us with the basics of how these events unfolded, Sallust's opinions of the moral lessons to draw from them, and how he thought they demonstrated the state of Roman society in his own day and how it got to that condition.

I won't dwell on the first point for long, as summaries of the events Sallust describes can be easily found in encyclopaedias or other works about the Roman Republic. Catiline came from a prominent family, but one running on the fumes of past glories. When his political career stalled, he attempted to organise a coup, but the plot was uncovered, several conspirators were put to death without trial by Cicero, who was consul at the time, and Catiline and his supporters were run down by the army and killed. The conspiracy's significance came less from the actual coup attempt and more from the later fallout of the conspirators being executed without trial. Cicero justified his action by claiming that it was an emergency, but it would lead to his exile a few years after leaving office. Also, it was a stark example of the decay of the Republic, as Roman ambition turned from outside enemies, like Carthage, inward - but we'll get to that shortly.

The Jugurthine War was a Roman intervention into a civil war in Numidia. Again, the significance is less the war itself and more the problems with Rome that it put on display. Rome's antagonist, Jugurtha, had a great deal of success in finding allies by bribing Roman officials, and when this tactic finally did fail he famously commented that Rome was "a city for sale, if only she can find a buyer." Aside from the display of Roman avarice and lack of civic virtue, the war also boosted the careers and prestige of Marius and Sulla, the former already a major political force, and the latter soon to join him as a giant, and controversial, figure in Roman history.

Sallust keeps most of his editorialising to the prefaces to each work, but in both cases he spends much of his time speaking of glory, of honourable and dishonourable ways of gaining it, and how a virtuous man does not need to rely on fortune for worldly success. This second point becomes somewhat confused, though, in his narratives. After describing the success of a risky decision by Marius, for instance, Sallust writes, "In this way Marius' recklessness was amended by chance, and in place of blame he found glory." Later, Sulla's victory over Jugurtha largely came down to one of Jugurtha's allies, Bocchus, deciding to betray him; this also looks a lot like chance, rather than a reward of Sulla's virtue.

Thematic coherence aside, though, his comments on virtue are of the kind that are always relevant and valuable. They also bring us to the third main point, how Sallust uses his account of recent history to explain and comment on the decadence of the late Republic. We can see, in Catiline's ability to find co-conspirators and Jugurtha's ease in handing out bribes, that Rome was consumed by factionalism, avarice, and ambition. How did this come about?

To some extent, these had always existed. Earlier generations had seen multiple "Secessions of the Plebs," avarice is a constant in human societies, especially in expanding empires, and if there's one word to describe Rome at almost any point in its history "ambition" may well be it. Yet, things hadn't been so bad before; during Sallust's childhood Sulla had been the first Roman general to march on Rome, as an adult he played a minor role as one of Julius Caesar's supporters in the Civil War (of 49-45 BC), and a few years after his death the Republic would finally collapse altogether.

Sallust points to the victory over Carthage as the primary cause of Rome's problems. Yes, Rome had been ambitious and avaricious, but in the past these impulses had been directed outward, against an external enemy, and the persistence of a real, existential threat in Carthage provided a source of unity to the various factions at home. After the Third Punic War, there was still conquering to do and external threats to face, but there was no new Hannibal anywhere on the horizon. Suddenly, the ambitious were more likely to seek gain at the expense of domestic rivals, and the factions had far less incentive to work together as they no longer had a common enemy.

Finally, besides these big questions, Sallust gives us his opinions on his contemporaries, some of whom loom so large in history that they've practically entered the realm of myth, but of course to him they were simply prominent politicians and soldiers. For instance, today Sulla is sometimes praised in Right-wing circles as a bringer of order, but Sallust had a low opinion of him:

[H]e was a noble of patrician descent, but from a family that was nearly reduced to oblivion because of his idle ancestors. He was educated alike in both Greek and Latin; he had enormous ambitions, craved pleasure, craved glory more. He spent his leisure time extravagantly, and yet was never distracted from business by pleasure, except for the fact that his attitude concerning his wife could have been more honourable. He was well spoken, clever and easygoing as a friend. He had an incredible depth of talent when it came to disguising his activities, but he was generous in many ways, especially with money. Before his victory in the civil war he was the most fortunate of all men, but his good fortune did not exceed his efforts. As for what he did afterwards [i.e., after the Jugurthine War], I do not know whether one should feel more shame or disgust in talking of it.

Such commentary is invaluable for those seeking to understand Roman history from the Romans' own point of view, and serves to bring the story of Rome from the realm of near-myth to a human level. Those looking for analogies to the modern world will find them in Sallust's work, though those looking for solutions will come up short. Still, it can be comforting to know that these roads have been walked before, by men not so different from us. The Republic never would recover, but eventually Augustus would at least end the turmoil, and a great deal of glory was still ahead for Rome. Perhaps, with a little fortune and some of the virtue that Sallust praises so highly, we can hope for a similar outcome.

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